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Right at the Centre: Anuradha SenGupta

Anuradha SenGupta’s introduction of herself as a professional, best summarizes her writes Aparajita Krishna  Read More

Nervous Edges and Hesitant Hands: NAZAR -1989.

I had just passed out of FTII in 1989 and I was on my first feature as the Assistant Cameraman, reminisces Rafay Mahmood

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My world view: Deepika Deshpande-Amin

It’s a fascinating journey to go down a long winding road with a friend - when the conversation is nothin...

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Amol Palekar - In a flashback that is very present!

I am often visited by Amol Palekar flashbacks, writes Aparajita Krishna

As time passes by...

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Khushwant Singh: Salaam to the Sardaar

Humra Quraishi writes about the many conversations she had with Sardaar Khushwant Singh. 

Sudden Impact: In Conversation with Harsh Chhaya

Khalid Mohamed interviews Harsh Chhaya, whose performance as a despotic Papaji in the series U...

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ONLY FRENCHMEN AND BENGALI’S ARE INTELLECTUALS

“The whisper more effective than the shout

The gentle rain

A Muslim in Bollywood

The mainstream Hindi film industry’s template for the community reflects ideological and political shifts in contemporary India.

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KASHISH 2019 unveils Taiwan collaboration at LGBTQ film festival

Screening of Taiwanese films Taiwan! Let's Get Married! and Gentlemen Spa, talk by Taiwanese guest Jay Lin and tie-up with Taiwanes...

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Whose Life Is It, Anyway?

Deepa Gahlot writes in her review of Jodi Picoult’s, A Spark of Life, “Women’s reproductive rights have always been under thr...

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